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Houdini the handcuff king9/27/2023 Houdini was booked on the popular Orpheum circuit, and in the late summer of 1899 he came back to St. Harry Houdini’s luck rapidly changed in 1899, when a Minnesota vaudeville promoter advised him to minimize his show’s card tricks and other “small reveals” to focus on his impressive handcuff escapes. Subtitled the “Supreme Mystery Box of the World,” the Metamorphosis act did well, but Houdini’s career remained at a simmer. When the curtain dropped, it revealed that the two had switched places Harry was free, while Bess was tied up and locked in the trunk. Bess stood on the trunk and held up a curtain. In “Metamorphosis,” Harry was bound in rope, tied in a sack, and then placed in a locked trunk. The Houdinis were still far down the billing, but the duo was impressing crowds with a self-invented trick that Harry Houdini performed for the rest of his career. Louis appearance came in February 1897, when he and his wife Bess appeared in a vaudeville show at the Hopkins Grand Opera House (later the Columbia Theatre) at 515 N. Weiss rebranded himself “Houdini” after his hero and took to the stage in the early 1890s. The son of an immigrant Jewish rabbi, young Erich Weiss’s life aspirations were transformed after reading the memoirs of 19th century French magician Jean Eugene Robert-Houdin, one of the first magicians to bring magic shows to professional theater stages. The Houdinis (Harry and Bess) and the Metamorphosis act, listed second to last on the Hopkins Grand Opera House bill. Louis, and it was more dangerous than anything he had tried up to that point in his career. One of his most famous stunts even made its debut in St. Louis at least five times between the 1890s and 1920s, with each visit bringing a new and different escape act to captivate local audiences. Harry Houdini took to the theater stages of St.
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